I think a secondary mentor is a great idea. Especially for me who has numerous aspects to my project.
The role of the secondary mentor could very greatly. For instance, my mentor is Clint Koch, however, for more of the design of the instruments I could use someone who is more into design such as Steve Mannheimer. They could help me with the art before I 3-D model them.
In addition, I could use someone from the music department to help me with the composition where I may need feedback from someone directly related to music.
I am not sure who would not be good....
Sort of as I mentioned, Steve Mannheimer would be a good potential second mentor for me, his interview can be found on my other post. In addition I am thinking someone from the school of music, I may consider John Alvarado who is a guitarist. Or I may try to find someone who works with drums as I am not a drummer at ALL....and I'll have drums in my project, so I may want a drummer.
From what I can find on John,
John's area of expertise is in Classical Guitar.
He would probably expect a lot of communication and a lot of practice/experimenting to get what sort of music composition you like that is full and appropriately timed ect.
He would probably not be interested in working on a project outside of music at all.
I think he would like the idea of being a secondary mentor for my project.
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